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Schuyler: ‘Berber Professional Musicians in Performance’,Įthnomusicological Perspectives, Béhague (Westport, Raamouch: ‘Berber Popular Songs of the Middle Atlas’,ĥ2–70 Galand-Pernet: Recueil de poèmes chleuhs (Paris,ġ972) Crapanzano: The Hamadsha: a Study in Moroccan Ethnopsychiatry (Berkeley,ġ973) Lortat-Jacob: Musique et fêtes au Haut-Atlas (Paris,ġ979) Boncourt: Rituel et musique chez les Aïssâoua citadins du Maroc (Strasbourg,ġ980) Guettat: La musique classique du Mahgreb (Paris,ġ982) Olsen: Chants de mariage de l'Atlas marocaine (Paris, Vers et structure strophique dans la musique berbèreĪissou: ‘Musique et mystique au Maroc’, Encyclopédie des musiques sacrées,Īl-Jirari: Al-zajalu fī al-maghrib: al-qasda (Rabat, L'aède berbère du groupe linguistique Beraber’, Memorial Henri Basset (Paris,Ģ37–42 Chottin: Corpus de musique marocaine (Paris,ġ931–3) Chottin: Tableau de la musique marocaine (Paris, Rouanet: ‘La musique arabe dans le Maghreb’, EMDC, I/v (1922),Ģ676–939 Brunel: Essai sur la confrerie religieuse des Aïssâoua au Maroc (Paris,ġ926) Farmer: ‘A North African Folk Instrument’, Journal of the Royal Asiatic Society

Brusatti (Vienna,ģ3–47 Rosen-Moked: The Hebrew Girdle Poem (Muwassah) in the Middle AgesĮds.: Studies on the Muwassah and the Kharja (Reading,ġ991) Yahalom: A Collection of Hebrew Muwassah from the Middle Ages (Jerusalem,ġ991) Andrews: Les fontaines des génies (Seba Aioun): croyances soudanaises à Tradition’, Festschrift Kurt Blaukopf, Bontinck and O.

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